Showing posts with label Kips Bay 2011. Show all posts
Showing posts with label Kips Bay 2011. Show all posts

Kips Bay Show House 2011: Part Deux



As we made our way up the back staircase by Rauber and Rauber Interiors, I was bowled over by the giant Ikat print linen fabric visually dancing up the walls.  I later found out the women were inspired by The Ballets Russes.  A beautiful chandelier and gold finials added more drama.



Amanda Nisbet has a knack for creating playful, dynamic spaces.  This bedroom remains committed to the 18th C. design elements that were part of the heritage of the home (the boisserie panels existed), but Amanda certainly injected it with a modern twist.   The tension between the pink patterned walls and art along side the 18th C. references spark an undeniable duality.





Harry Heissmann was in a shag-a-delic mood when he moved into this child's bedroom.  John Whitney had 2 adopted daughters and this "hideaway"was named for one of them:  Kate.  Working within the dark room, Harry emphasized a nighttime retreat by papering the walls in a chocolate, patent, diamond pattern by Phillip Jeffries and using bronze mirror.  It's hard to tell, but the lucite bed is illuminated from underneath.  That produced a really nice effect.  Vintage fabrics weaved a kaleidoscope of color and texture while the cobra lamp (once belonging to Sir Elton John) and the giraffe keep a silent watch.



  Barbara Ostrom designed a dream bed chamber in shades of robin's egg and cream, with all the bells and whistles for a sweet sleep, no matter the century.



Speaking of birds, it seemed to be a theme running through many of the rooms.  Jeff Lincoln had hand-painted birds and outlines of trees applied to the Gracie wallpaper; a subtle stunner, along with the Fortuny fabric.  Again, a duality played out between the masculine and feminine within the space.






Brad Ford's stereo lounge was a groovy place to hang out and listen to music "old school."  Brad, calling on a new rustic glamour, felt the space needed to engage us socially.  The record player was built into this $45,000.00 hand crafted table by BDDW.  The speakers were built into European Oak paneling and  took on an artistic rhythm. 






On the other side of the partition separating the two spaces that occupied the upper floor is Robert Stilin's complementary "modern Manhattan" like space.  The clean design seems suited for a masculine art collector swayed in cashmere and wool.  The cocktail table was made by Aurelien Gallet, another designer showing in Kips Bay.





Outside one of the bedrooms, it must have been the servants quarters at one time, I noticed this panel signifying which room the servants were being summoned to.  Very upstairs, downstairs.



 The exquisite space outside, a luxury in New York by any standard, referenced the adjoining rooms to cement a unified look.  Inspired by the dining room's hand painted wallpaper and the other elements nearby, Greener by Design captured the ebb and flow in this garden design.  


Gunn Landscape designed this terrace off the art infused lounge as a respite marrying the architecture of the home with the modern sensibilities of the interior space it's off of..





Photos: CLI, Fox news, Trevor Tondro for NY Times, Kevin Sharkey


Kips Bay Show House 2011: Part Un



 A never miss event is always the Kips Bay Show House in New York.  I am always dazzled and inspired.  This year's show house did not disappoint.  It is a privately owned home.  Usually these homes are for sale.  The former owner of this 10,000 sq. ft. neo-Federalist style mansion was John Hay "Jock" Whitney.  A charming diplomat, art connoisseur, and bon vivant.  The family of Disque D. Deane, a creative financier, owns the home presently and it is listed on the National Register of Historic Places.
Mary McDonald knows how to make an entrance in her masculine meets feminine entry wrapped in lipstick red lacquer.



Turn the corner and you're met with Wayne Nathan's 80's inspired first floor stairwell.  Aakash Nihalani, a street artist, uses electrical tape as his artistic medium to create a sense of falling thru space.



My favorite room this year was by Celerie Kemble.  She gave me a lot of  "take aways".  The ceiling application is called verre eglomise.  It is painting or etching on the reverse side of mirror or glass.  Miriam Ellner did a breathtaking job creating a chinoiserie skyscape fantasy.  I only want to know, "what's going to happen to this ceiling after the show?"



The paneling is original Norfolk pine and was to remain untouched, so Kimble Interiors pulled out every trick in the book to add light and life to this already show stopping space.  A light carpet (hand stenciled sisal), fabrics, mirrored and gleaming surfaces, along with different light sources help achieve this.  Another clever little trick is the way Kimble Interiors incorporated the sconces into the frame of the painting over the fireplace.  I LOVED this touch!  Sometimes the beauty is in the details.






Matthew Patrick Smyth designed the dining room around the existing wallpaper, a graceful hand-painted silk.  It was a gift to the owners from the sister of Madame Mao.  The room was infused with a French and Asian  aesthetic.  Couture details in the drapes frame out the panels and draw attention to exquisite details.  The chandelier by Jacques Jarrige was made from a piece of brass to relate to the blowing branches in the wallpaper.






By New York standards the kitchen by Bilotta Kitchens is huge.  It even has an a joining butler's pantry!  You can never go wrong with neutral, textural and elegant.

      




The infusion of exquisite art-filled spaces was a theme in several rooms.   Richard Mishaan, a self described "art-holic", masterfully mixes well known artists' work with clean traditional lines in this 40 x 20 foot living area.  Not only did he incorporate a Fernando Botero (above the fireplace) from his personal collection, as well as a Damian Hirst series into the mix, he actually painted the two canvases on the opposite wall flanking the mirror (as opposed to the Botero which is flanked by gilt mirrors).  I loved this application of opposites.











join me upstairs in part deux ~ next time